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Furthermore, his mother took the kids backpacking, opening up a galaxy of sounds to impressionable young ears before the internet enabled you to do that from the comfort of your bedroom.Īs one of the most powerful artists in popular music with four million sales of his last album (2013’s Racine Carrée) and the weight of Universal Music France behind him, Stromae was able to reach artists across the globe and throw all of these sounds together coherently and effectively. His sister was the one with the Jacques Brel records in the next bedroom. Stromae grew up in a building with children from the Congo, Rwanda, Cameroon, Senegal, and listened to kassav, salsa, zouk, Motown and James Brown.
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Purists might abhor the dilettantish appropriation of sounds and musicians employed from Argentina, India, Mali and Eastern Europe, though its important to remember Brussels is a melting pot too. Multitude is World Music with a caveat, by which I mean it’s World if taking music from all across the globe and bringing it into your own artistic universe qualifies as such. Stromae’s long-awaited third album with its Bulgarian choirs, erhu and charango players and innovative takes on Bolivian grooves and reggaeton beats, takes this confounding labelling and complicates it even further. Paul Van Haver grew up in the Laeken district of Brussels, with a Belgian Flemish mother and a Rwandan Tutsi father, the latter heritage line surely the qualification that tips him over into “World”, even if he’s essentially a Belgian chansonnier and rapper making his own peculiar and extremely successful brand of eurohop. Things have moved on somewhat since the days you could find Edith Piaf records in the “ethnic” section of your local record store, but questions of categorization are far from settled. David Byrne said it was a way of relegating music to exotica, “because exotica is beautiful but irrelevant,” and even Womad agreed the term was out of date in 2019. He might have won two awards at the WMAs in 2014, mainly because he was too big to be ignored, but “World” has always been an incoherent term, awkward and open to the interpretation of the beholder. He released his first song since 2015, Santé, in mid-October.Up to now, the idea that Stromae was in some way an exponent of “World Music” always seemed faintly ridiculous. Stromae retreated from the spotlight after the huge success of his previous album and the subsequent world tour which led to him suffering burnout. On 19 June he will also play at Werchter Boutique and he will also return to Palais 12 in Brussels on 15, 16 and 17 March 2023. The first three shows are scheduled in Brussels on 22 February, in Paris on 24 February and in Amsterdam on 27 February. A tour in support of the new album will then follow. It was then revealed that the singer’s new album, Multitude, is scheduled for a 4 March release. The arch and surrounding areas in the Cinquantenaire Park in Brussels were sealed off and mysteriously covered over the weekend as rumours spread that Belgian singer Stromae was recording a new video on the site.Ī heavy police presence and the deployment of drones to keep curious bystanders away only heightened the belief that the singer was filming behind the blackened facades.Įarlier this month, a dance school from Woluwe-Saint-Lambert held auditions for extras and dancers for a new video for Stromae.Īfter the singer surprised viewers of the French channel TF1 earlier this month by debuting a section of his new song, L'Enfer, in which he talks about suicidal thoughts, expectation for a new release – some eight years since his last album Racine Carrée – began to grow.